Terminal Junction unfolds within the infrastructural void of Amsterdam’s A10 ring road, where the Max Havelaar flats are split by a corridor of noise, air, and concrete. Once a quiet green space, now a resonant underpass, the site embodies six decades of urban smoothening and neglect.

Through a dual-screen audiovisual installation — one vertical, one horizontal — the work traces the tension between movement and stillness, visibility and vibration. Two audio tracks, a continuous highway hum and a looping fragment of shattered glass, entangle above and below.

Listening to the city’s underside, Terminal Junction renders the underpass not as absence but as presence — a living threshold where danger, refuge, and memory converge in the atmospheric residue of the ring.